Welcome to the Contemporany Piano Practice Plan
“My goal is to play, improvise and create music in a contemporary piano style.”
If this sounds like you, then this article is a must read before you sign up. – As you might have read on my front page, my focus is on how to create music and express different kinds of emotions with the piano. Mastering contemporary piano style is an excellent tool to do that… as well as blues, or any other style.LET’S GET STARTED!
Dive into Contemporanien Landscape...
Before you would start working on your curriculum, I want you to check out this lesson:
*I don’t expect you to complete it, but it helps to set your mind in the right direction.
Sight Reading
(Core Lessons)
- Challenging Esplosivo Song
- Thunder
- Quarter Notes with Quarter Notes
- Colours
- Whole Notes with Quarter Notes
- Whole notes with Half Notes
- Whole Notes with 8th Notes
- Up and Down
- Whole Notes with Half and Quarter Notes
- Blocked Intervals & Quarter Rest
How to make music with the Core Lessons
Challenging Etudes
IV. Create your first composition based on Triads
Warm up exercises and Sight Reading
- Preparatory Right Hand Exercises
- Preparatory Left Hand Exercises
- Whole Note Minuet No. 1
- Whole Note Minuet No. 2
- Half Note Minuet
- Half Note Minuet No. 2
- Quarter Note Minuet No. 1
- Quarter Note Minuet No. 2
Basic Improvisation Exercises
- Finish the Phrase (B minor)
- Finish the Phrase (C major7)
- Creating a Phrase (E minor)
- Vertical Improvisation – EASY
- Vertical Improvisation – MEDIUM
Sight Reading – Low Intermediate Approach
(If the speed of the demonstration feels very slow to you, jump to the high intermediate Approach)
- Eighth Notes Minuet
- C#-7b5 Minuet
- Dotted Half Notes Minuet
- Dotted Quarter Notes Minuet
- Eighth Note Rest Minuet
- 7th Chord Minuet
Sight Reading – High intermediate Approach
- Eighth Notes Minuet
- C#-7b5 Minuet
- Dotted Half Notes Minuet
- Dotted Quarter Notes Minuet
- Eighth Note Rest Minuet
- 7th Chord Minuet
Compositional Improvisation
Collect your favourite parts from the etudes you have learned so far, and mix them up. You can’t go wrong. All the core lessons are in the key of E minor, so whatever you decide to glue together, will fit, no worries. Feel free to change things around to your taste, also, you might want to add parts, that wasn’t in the curriculum. That is completely fine. I did that too.
Left-Hand Accompaniment
- Left-hand Accompaniment
- Six Left-Hand Variations (Lead Sheet)
- Six Left-Hand Variations (Sheet Music)
- How to use Broken Chords?
Improvisation
- 5 Common Beginners Mistakes
- 2 Common Intermediate Mistakes
- Short Phrases
- Different Orders
- Rhythm
- Chord Tones
- Chord Tones -2
- Vary the Register
- Vary the Register (advanced)
- Making Music with the Core Lessons
Rhythm
- Rhythm Workout No. 1
- Rhythm Workout No. 1 (Finish the Phrase)
- Rhythm Workout No. 2
- Rhythm Workout No. 2 (Finish the Phrase)
Duet Part
Improvisation (Mindset)
Songs
- Glass (Main Theme)
- Glass (Improvisation)
- Someone who lookslike you (Main Theme)
- Someone who looks like you (Improvisation)
- Someone who looks like you (Ending)
- It’s a grand Illusion (Main Theme)
- It’s a grand Illusion (Improvisation)
- It’s a grand Illusion (Ending)
Checkpoint
Test your skills, and decide if you are ready to move to the next section:
This section is just about having fun playing the piano.
POP-BLUES
POP
Time to be a beginner again. We will even revisit some lessons. Since you have good control over the piano, you have to look the core lessons from an entirely different perspective now. Therefore I strongly recommend you to start here:
Keeping that Jazz Beginner Mindset, you will find even the absolute beginner lessons useful to you.
Major Triad Etude
- Right Hand – Octaves
- Left Hand – Octaves
- First Inversion
- Second Inversion
- Root Position, 1st & 2nd Inversion
- Voice Leading, Grooves
- Voice Leading Theory
Ear Training
Minor Triads Etude
- Minor Triads & Inversions
- Minor Triad Etude
- Open Triads Theory
- Open Triads Etude
- Comping with open triads
- Rootless 7th Chords
Arpeggios – Major
Arpeggios – Minor
Composition
- Pop Improvisation in E, B, F#, C#
- Pop Improvisation in C – G – D – A
- Pop Improvisation in F – Bb – Eb – Ab
- Play and rest approach
- Call and Response
- Pick Ups
- G Minor Pentatonic
- How to make up a song on the spot
Ear Training – Transposition – Composition
VII. Theory – Basics – Workout
Final Words...
If you are still not sure where to start or how to approach these lessons, feel free to contact me. In order to give you good advice and guidance, I would need the following information from you:
- Your name, age, and main motivation.
- A link where I can see or hear you playing any of my exercises from this practice plan. (Unlisted youtube link, mp3 file, etc.) If you are not a member yet, please chose a lesson from my Youtube Channel. Play the entire exercise from the beginning to the end with a steady beat and let me know how long time did it take you to complete the lesson. If the recording is about improvisation, please improvise at least for 1 minute (with a steady beat).
- How much time do you have for practice?
- Are you working on the additional exercises too?
- What lessons have you already completed or are still working on?
- What is your next short-term goal? Is it ok if I tell you that you should change that goal?:)
Most of the time you think that your problem will be solved if you learn more about theory, scales, and licks, but then I come and tell you that all you have to do first is to keep the rhythm.