Welcome to the Well-rounded Pianist Plan
“I have access to more than 300 lessons, what should I do now?”
If your goal is to become a pianist, this practice plan is for you. We will cover Jazz, Blues, Pop, Contemporary Piano, Funk and Latin music. My experience is that you need to know a little bit of everything in order to survive as a musician đ
Let’s start.
Goal NÂș 1
CheckPoint 1: Blues Improvisation
I see many beginner students who want to improvise over difficult (jazzy) chord progressions, where they have to follow the standard AABA form and change the scales after every 4 seconds. So they learn a bunch of scales, licks, voicings. They learn everything about the theory, but in the end, they still not able to improvise. Why? There is no way that you are going to be able to do that if you are not able to improvise freely with one single scale! So donât worry about the theory, donât over analyze music, just play!
To reach the level of improvisation that presented in the video, follow the following practice plan.
If you are an absolute beginner I recommend you to spread this program out over 3 to 6 months.
I. Sight Reading & Coordination Exercises
- Challenging Esplosivo Song (Revisited)Â Â
- Lesson 19: Challenging Etudes
- Lesson 20: Challenging Etudes
- Lesson 21: Thunder
II. Improvisation
- Lesson 22: Basic Improvisation Part 1Â
- Lesson 23: Basic Improvisation Part 2
- Lesson 24: Basic Improvisation Part 3
- Lesson 25: Basic Improvisation Part 4
- Making Music with the Core Lessons (Easy)
- Making Music with the Core Lessons (Medium)Â
III. Sight Reading & Coordination Exercises
- Lesson 30: Quarter Notes
- Lesson 31: Colours
- Lesson 32: Whole & Quarter Notes
- Lesson 33: Whole & Half Notes
- Lesson 34: Whole & Eighth Notes
- Lesson 35: Up and Down
- Lesson 36: Whole, Half & Quarter Notes
- Lesson 37: Blocked Intervals & Quarter Rest
IV. Improvisation
V. Sight Reading & Coordination Exercises
- Lesson 41:Â The Flat Sign
- Lesson 42: Half & Quarter notes
- Lesson 43: Half & Eighth Notes
- Lesson 44: Swinging the Eighths
- Lesson 45: Half Notes with Swinging Eighth Notes
- Lesson 46: On and Off Beat
VI. Improvisation
- Lesson 47: Short and Long Licks
- Lesson 48: Changing the Licks
- Five-Finger Impro Exercises
- Five-Finger Scale – A minor Blues
- Five-Finger Impro – A minor Blues
- Five-Finger Scale – A minor Blues
- Five-Finger Impro – A minor pentatonic
- Blues scale Exercises – A minor Blues
- How to practice scales
VII. Sight Reading & Coordination Exercises
- Learn to read notes with Sharp & FlatÂ
- Don’t be Sad – Easy version
- Don’t be Sad – PracticeÂ
- Don’t be Sad – Performance
- Don’t be Sad – Practice (Swing)
- Don’t be Sad – Performance (Swing)
VIII. Rhythm Workout
IX. Expanding Rhythm Vocabulary for Improvisation
X. Challenge
XI. Licks
- Lesson 52: Esplosivo Licks (part 1)
- Lesson 53: Esplosivo Licks (part 2)
- Lesson 54: How to Improvise with Licks
- Lesson 55: How to Build Up a Solo
XII: Jam with your friends
- Blues Duet: Comping Patterns
- Blues Duet: Comping & Impro
- Lesson 56: Duet Part (Pop)
- Lesson 57: Duet Part (Swing)
XIII: Songs (My Compositions)
- Lesson 58: I’m gonna explode
- Lesson 59: Come on, Let’s go
- Lesson 60: Giant Butterfly
- Lesson 60: Giant Butterfly
(Virtual Piano version) - Lesson 61: You Must Be Joking
- Lesson 62: Why Not?
XIV. Composition
XV. Rhythm Workout (Two-Feel Bass Lines + Jazz Trio)
- 8th Notes Workout
- 8th Note Rest – Beat 1
- 8th Note Rest – Beat 2
- 8th Note Rest – Beat 3
- 8th Note Rest – Beat 4
- 8th Note Rest – Random
XVI. Revisiting Checkpoint No.1
Test your skills, and decide if you are ready to move to the next section:
Congratulation. If you went through all these lessons, you can stop calling yourself a beginner.
Goal NÂș2
We are not done with blues, but let’s put it on hold for a while, because I don’t want you to get tired of it.
Time to change the genre, tonality, express melancholy and improve your left-hand techniques.
To reach Goal no. 2 will take over 3 or 6 months. However, I believe it is going to be quite effortless and fun.
I. Sight Reading & Coordination Exercises
(From Lesson 66 to Lesson 73)
- RH Exercises
- LH Exercises
- Whole Note Minuet No. 1
- Whole Note Minuet No. 2
- Half Note Minuet
- Half Note Minuet No. 2
- Quarter Note Minuet No. 1
- Quarter Note Minuet No. 2
II. Basic Improvisation Exercises
(From Lesson 74 to Lesson 77)
III. Sight Reading â Low Intermediate Approach
(From Lesson 78 to Lesson 83)
NOTE: If the speed of the demonstration feels very slow to you, jump to Sight Reading – High Intermediate Approach
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- Eighth Notes Minuet
- C#-7b5 Minuet
- Dotted Half Notes Minuet
- Dotted Quarter Notes Minuet
- 8th Note Rest Minuet
- 7th Chord Minuet
IV. Sight Reading â High Intermediate Approach
- Eighth Notes Minuet
- C#-7b5 Minuet
- Dotted Half Notes Minuet
- Dotted Quarter Notes Minuet
- 8th Note Rest Minuet
- 7th Chord Minuet
V. Compositional Improvisation
- MAKING MUSIC WITH THE CORE LESSONS
Collect your favorite parts from the etudes you have learned so far, and mix them up. You canât go wrong. All the core lessons are in the key of E minor, so whatever you decide to glue together, will fit, no worries. Feel free to change things around to your taste, also, you might want to add parts, that wasnât in the curriculum. That is completely fine. I did that too.
VI. Left-Hand Accompaniment
(Lesson 84 – Lesson 85)
- Left-hand Accompaniment
- 1 Etude, 6 Variations (Lead Sheet)
- 1 Etude, 6 Variations (Sheet Music)
- How to use Broken Chords?
VII. Improvisation
(From Lesson 86 to Lesson 92)
- 5 Common Beginners Mistakes
- 2 Common Intermediate Mistakes
- Short Phrases
- Different Orders
- Rhythm
- Chord Tones
- Chord Tones (more examples)
- Vary the Register
- Vary the Register (more examples)
- 2. Month Intermediate EssentialsÂ
VIII: Rhythm Workout
(From Lesson 93 to Lesson 96)
IX. Duet Part
(Lesson 97)
X. Improvisation (Mindset)
XI. Reading lead sheets
XII. Improvisation
XIII. Songs
(From Lesson 98 to Lesson 105)
- Glass (Main Theme)
- Glass (Impro)
- Someone who looks like you (Head)
- Someone who looks like you (Impro)
- Someone who looks like you (Ending)
- It’s a grand Illusion (Head)
- It’s a grand Illusion (Impro)
- It’s a grand Illusion (Ending)
XIV. Piano Fingering Exercises
XV. Checkpoint
Test your skills, and decide if you are ready to move to the next section:
Goal NÂș3
Checkpoint 3: Blues Challenge (Explosive)
If you are at an intermediate level, I recommend you to spread this program out over 3 to 6 months.
I. Scales
(From Lesson 113 to Lesson 115)
II: Improvisation
(From Lesson 116 to Lesson 120)
- Blues Impro Etude No. 1
- 16 Blues Licks Part 1
- 16 Blues Licks Part 2
- Blues Impro Etude No. 2
- 9 Ways to Play Bluesy LH Grooves
III:Â Creative Practicing 101
(From Lesson 121 to Lesson 128)
VI. Powerful Chord Progressions
(Lesson 129 – Lesson 130)
V. Rhythm Workout – 8th Note Rest Workout
(Two-Feel Bass Lines + STRIDE + Jazz Trio)
- 8th Notes Workout
- 8th Note Rest – Beat 1
- 8th Note Rest – Beat 2
- 8th Note Rest – Beat 3
- 8th Note Rest – Beat 4
- 8th Note Rest – Random
VI. Test your skills
Congratulation! Now you can play blues just like me.
Are we done now? No, no… We are just getting started.
Goal NÂș4
 This section is just about having fun playing the piano.
I. POP-BLUES
II. FUNK
III. JAZZ
- Jazz Etude in the style of McCoy Tyner
- How to Practice Jazz Etudes
- Blues for McCoy TynerÂ
- Blues for McCoy Tyner â Behind the scenes
VI. FOLK
V. POP & CONTEMPORARY
Goal NÂș5
Time to be a beginner again. We will even revisit some lessons. Since you have good control over the piano, you have to look the core lessons from an entirely different perspective now. Therefore I strongly recommend you to start here:
Keeping that Jazz Beginner Mindset, you will find even the absolute beginner lessons useful to you.
When you open a lesson, you will see the video on the top and under that, you will find a practice plan. It helps you to get the best out of the lesson. I expect you to complete everything that written in the description. If you only do what shown in the video, you will not get very far. However, if you follow my advice and work through all the additional exercises, in 6 months, you will be a well-rounded jazz pianist.
I. Five-Finger Scale and Improvisation Exercises
II. Chords – Major Triads
III. Composition
IV. Pop Improvisation (Composition) in all 12 Major Keys
V. Advanced Five-Finger Routines
- Jazz routine 1
- Play & Rest Approach
- Rhythmic Displacement
- Blues Impro with triads
- Call and Response
- Pick Ups
- D minor pentatonic
- G minor pentatonic
- Consistent Rhythm Pattern
- Ab Minor Blues ImproÂ
- B Minor Blues WorkoutÂ
VI. Ear Training â Transposition â Composition
- 1. Month – Ear Training
- 1. Month – Express Yourself
- 2. Month – Ear Training
- 2. Month – Express Yourself
- How to make up a song on the spot?Â
- Good 9th Song
VII. Theory – Basics – Workout
VIII. Jazz-Blues Improvisation
(Major Pentatonic and Major Blues)
- Ear Training Version
- Sight Reading Version
- Straight 8th notes Version
- Walking Bass VersionÂ
- Rootless Voicings Version
- Walking Bass & Impro
- Rootless Voicings & Impro
IX. Jazz Routines & Jazz Hanon
- Jazz Routine #2
- Jazz Routine #3
- Jazz Routine #3: (Extras)
- Rhythm Workout (video – 2:46)
- Jazz Hanon No. 1
- Jazz Hanon No. 2
- Jazz Hanon No. 3
- Jazz Hanon No. 4
- Jazz Hanon No. 5
- Jazz Hanon No. 6
- Jazz Hanon No. 7
- Jazz Hanon No. 8
- Jazz Hanon No. 9
- How to make the best out of Jazz Hanon
- Blues Hanon
- How to get the best out of Blues Hanon
- Basic Blues
- Major 7th Chords â Root Position
X. Walking Bass
XI. Major Triad Etude
- Right Hand – Octaves
- Left Hand – Octaves
- First Inversion
- Second Inversion
- Root Position, 1st & 2nd Inversion
- Voice Leading, Grooves
- Voice Leading Theory
XII. Ear Training
XIII. Minor Triads Etude
- Minor Triads & InversionsÂ
- Minor Triad Etude
- Open Triads Theory NEW!!!
- Open Triads Etude NEW!!!
- Comping with open triads
- Rootless 7th Chords NEW!!!
XIV. Arpeggios – Major
XV. Arpeggios – Minor
XVI. Jazz-Blues Workout in the key of Bb
XVII. Jazz-Blues Workout in the key of F
XVIII. Rhythm Workout (Two-Feel Bass Lines + Stride + Walking Bass + Jazz Trio)
- 8th Notes Workout
- 8th Note Rest – Beat 1
- 8th Note Rest – Beat 2
- 8th Note Rest – Beat 3
- 8th Note Rest – Beat 4
- 8th Note Rest – Random
XIX. Elements of Jazz ImprovisationÂ
- Natural & Harmonic Minor Scale
- C Major Scale Workout
- How To Play Dorian Mode (Bebop)
- How To Play Dorian Mode (Modal)
- Minor 7th in Jazz â Scales and ArpeggiosÂ
- How To Play Mixolydian Mode
- Dom 7th Arpeggios in Jazz
XX. Advanced 12 Bar Jazz-Blues Workout in the key of Bb
- Solo Piano Workout
- Jazz Trio Workout
- Impro â Bb Major Blues Scale
- Impro â Bb Minor Blues Scale
- Impro â Bb Major & Minor Blues
- ii-V-I Licks in Blues
XXI. C Jazz-Blues Workout
- How to Master 3-7 Voicings NEW!!!
- Rootless Voicings & Blues Scale NEW!!!
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Keep an eye on this list, because it is growing every week in every direction.
To make it easy to spot the new lessons, I will highlight it for a week, adding a big “NEW!” sign next to it, or something… you will not miss it, no worries đ
Final Words...
If you are still not sure where to start or how to approach these lessons, feel free to contact me. In order to give you good advice and guidance, I would need the following information from you:
- Your name, age, and main motivation.
- A link where I can see or hear you playing any of my exercises from this practice plan. (Unlisted youtube link, mp3 file, etc.) If you are not a member yet, please chose a lesson from my Youtube Channel. Play the entire exercise from the beginning to the end with a steady beat and let me know how long time did it take you to complete the lesson. If the recording is about improvisation, please improvise at least for 1 minute (with a steady beat).
- How much time do you have for practice?
- Are you working on the additional exercises too?
- What lessons have you already completed or are still working on?
- What is your next short-term goal? Is it ok if I tell you that you should change that goal?:)
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Most of the time you think that your problem will be solved if you learn more about theory, scales, and licks, but then I come and tell you that all you have to do first is to keep the rhythm.